FREQUENTLY ASKED
WHAT EVERYONE ASKS FIRST
The questions that come up in every first conversation, answered before you have to write and ask them.
How much does a brand film cost?
There's no single rate. Five variables move the price: shoot days, crew size, post-production complexity, usage rights, and whether there's on-camera talent. Our form asks you to pick a range in Colombian pesos (COP) so we know whether we can help — it's a qualification filter, not a rate card. The real number comes from the scope we define together.
Why shoot a brand film in Colombia?
Budgets go further here than in the US or Europe without giving up craft. Bogotá puts a high-altitude capital, coffee country, Caribbean coast, páramo and desert within a short domestic flight — one trip can cover locations that would take several elsewhere. Crews are local and experienced, and we run production in English.
Do you work with US-based brands remotely?
Yes. We're based in Bogotá and produce across Latin America and for international brands. We work in English, and Colombia sits at UTC−5 year-round with no daylight saving — the working day overlaps with US Eastern time, so a review is a call and not an overnight round trip.
What's the difference between an agency and a production company?
An agency plans the campaign and buys the media; a production company makes the work. We keep narrative strategy and production under one roof, so the reason a story matters doesn't get lost on its way to becoming an image. One fewer handoff between idea and frame.
What's included in a video production?
Everything from concept to final deliverables: narrative definition, pre-production, the shoot, and post — editing, sound design, 2D animation and color grading. You don't get a single loose file but a coherent content system built for the platforms and formats where your brand actually lives.
What do I need before reaching out?
No finished brief or script required. It's enough to explain what you're building, why it matters, and what has — or hasn't — worked so far. Format comes later: it's a consequence of the story, not the starting point.